Barton Fink - Plot

Plot

Barton Fink (John Turturro) is enjoying the success of his first Broadway play, Bare Ruined Choirs. His agent informs him that Capitol Pictures in Hollywood has offered a thousand dollars per week to write movie scripts. Barton hesitates, worried that moving to California would separate him from "the common man", his focus as a writer. He accepts the offer, however, and checks into the Hotel Earle, a large and unusually deserted building. His room is sparse and draped in subdued colors; its only decoration is a small painting of a woman on the beach, arm raised to block the sun.

In his first meeting with Capitol Pictures boss Jack Lipnick (Michael Lerner), Barton explains that he chose the Earle because he wants lodging that is (as Lipnick says) "less Hollywood". Lipnick promises that his only concern is Barton's writing ability, and assigns his new employee to a wrestling movie. Back in his room, however, Barton is unable to write. He is distracted by sounds coming from the room next door, and he phones the front desk to complain. His neighbor, Charlie Meadows (John Goodman) is the source of the noise and visits Barton to apologize, insisting on sharing some alcohol from a hip flask to make amends. As they talk, Barton proclaims his affection for "the common man", and Charlie describes his life as an insurance salesman. Later, Barton falls asleep, but is awoken by the incessant whine of a mosquito.

Still unable to proceed beyond the first lines of his script, Barton consults producer Ben Geisler (Tony Shalhoub) for advice. Irritated, the frenetic Geisler takes him to lunch and orders him to speak with another writer for assistance. While in the bathroom, Barton meets the novelist William Preston (W.P.) "Bill" Mayhew (John Mahoney), who is vomiting in the next stall. They briefly discuss movie writing, and arrange a second meeting later in the day. When Barton arrives, Mayhew is drunk and yelling wildly. His secretary, Audrey Taylor (Judy Davis), reschedules the meeting and confesses to Barton that she and Mayhew are in love. When they finally meet for lunch, Mayhew, Audrey, and Barton discuss writing and drinking. Before long Mayhew argues with Audrey, slaps her, and wanders off, drunk. Rejecting Barton's offer of consolation, she explains that she feels sorry for Mayhew, since he is married to another woman who is "disturbed".

With one day left before his meeting with Lipnick to discuss the movie, Barton phones Audrey and begs her for assistance. She visits him at the Earle, and after she admits that she wrote most of Mayhew's scripts, they are assumed to have sex; Barton later confesses to Charlie they did so. When he wakes up the next morning, he, again, hears the sound of the mosquito, finds it on Audrey's back, and slaps it dead. When Audrey does not respond, he turns her onto her side only to find that she has been violently murdered. He has no memory of the night's events. Horrified, he summons Charlie and asks for help. Charlie is repulsed, but disposes of the body and orders Barton to avoid contacting the police. After a surreal meeting with an unusually supportive Lipnick, Barton tries writing again and is interrupted by Charlie, who announces he is going to New York for several days. Charlie leaves a package with Barton and asks him to watch it.

Soon afterwards, Barton is visited by two police detectives, who inform him that Charlie's real name is in fact Karl Mundt – "Madman Mundt". He is a serial killer wanted for several murders; after shooting his victims, they explain, he decapitates them and keeps the heads. Stunned, Barton returns to his room and examines the box. Placing it on his desk without opening it, he begins writing and produces the entire script in one sitting. After a night of celebratory dancing, Barton returns to find the detectives in his room, who, after handcuffing him to the bed, then reveal Mayhew's murder. Charlie appears, and the hotel is engulfed in flames. Running through the hallway, screaming, Charlie shoots the policemen with a shotgun. As the hallway burns, Charlie speaks with Barton about their lives and the hotel, breaks the bed frame he is cuffed to, then retires to his own room, saying as he goes that he has paid a visit to Barton's parents and uncle in Lower Manhattan. Barton leaves the hotel, carrying the box and his script. Shortly thereafter he attempts to telephone his parents, but there is no answer.

In a final meeting, a disappointed and betrayed Lipnick, now uniformed as he attempts to secure an Army reserve commission, angrily chastises Barton for writing "a fruity movie about suffering", then informs him that he is to remain in Los Angeles, and that – although he will remain under contract – Capitol Pictures will not produce anything he writes so he can be ridiculed as a loser around the studio while Lipnick is in the war. Dazed, Barton wanders onto a beach, still carrying the package. He meets a woman who looks just like the one in the picture on his wall at the Earle, and she asks about the box. He tells her that he knows neither what it contains nor to whom it belongs. She assumes the pose from the picture.

Read more about this topic:  Barton Fink

Famous quotes containing the word plot:

    Those blessed structures, plot and rhyme—
    why are they no help to me now
    I want to make
    something imagined, not recalled?
    Robert Lowell (1917–1977)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)