Production
The episode was written by Bill Oakley and Josh Weinstein, and directed by Wes Archer. The writing staff wanted to do an episode where the Simpsons family traveled to Australia, because they thought everyone in Australia had a good sense of humor and that they "would get the jokes". The staff had previously poked fun at several American institutions on the show and they thought it would be interesting to poke fun at a whole nation. They designed Australia and the Australian people very inaccurately and many things were completely made up for fun. The animators, however, got two Australian tourist guides to help them out with the design of the Australian landscape and buildings, as well as the American Embassy. The writers did research on the Coriolis effect for this episode. Lisa's explanation of the effect is incorrect; it affects global weather patterns and is caused by the spinning of the globe on its axis. The amount of water in a toilet or sink is much too small to be affected by it.
In 1999, Fox Studios Australia in Sydney used a different version of "Bart vs. Australia" as part of their Simpsons attraction, called The Simpsons Down Under. They had contacted the Simpsons writing staff and asked if they would write the screenplay for a ride in their attraction, based on this episode. The episode was re-edited and re-animated for the ride and new scenes were included. The attraction featured motion capture technology, allowing audience members faces and expressions to be transformed into moving cartoon characters.
Read more about this topic: Bart Vs. Australia
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)