From Late Renaissance and Mannerism To Early Baroque
The Baroque style penetrated Bohemia in the first half of the 17th century. Prague was one of the main centers of Mannerist art (a late Renaissance style, foreseeing early Baroque) under Rudolph II (1576–1611). At the end of his reign and during the reign of his brother Mathias (1611–1619) there were built some late Renaissance or Mannerist buildings with Early Baroque elements in Prague. But it is hard to distinguish between the Mannerist style and the Early Baroque style because there is no clear break, therefore some scholars consider these buildings to be Early Baroque while others consider them to be Mannerist.
Among these transitional buildings is the Italian chapel consecrated to the Assumption of the Virgin Mary, adjoining the former Jesuit college called Clementinum built in 1590-1600 for Italians residing in Prague, designed by the Italian O. Mascarino. Although it is a Late Renaissance or Mannerist chapel, it is very important for Czech Baroque architecture because of its elliptical ground plan which is much more typical for Baroque architecture than for the rational Renaissance style.
The Matthias Gate of the Prague Castle, built before 1614 probably by Giovanni Maria Filippi is traditionally designated the first Baroque structure in Prague.
Read more about this topic: Baroque Architecture In The Czech Republic
Famous quotes containing the words late, renaissance, early and/or baroque:
“One who does not study hard when young will find it too late for regret when old.”
—Chinese proverb.
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.”
—J.G. (James Graham)
“We early arrive at the great discovery that there is one mind common to all individual men: that what is individual is less than what is universal ... that error, vice and disease have their seat in the superficial or individual nature.”
—Ralph Waldo Emerson (1803–1882)
“It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”
—Oswald Spengler (1880–1936)