History
After leaving Warner Bros. Records, Zappa founded the label Zappa Records in 1977, and formed a deal with Phonogram Records, which distributed the label's releases in the United States. Its first release was the live album Sheik Yerbouti, followed by the dystopian rock opera Joe's Garage. After Phonogram refused to release the single "I Don't Wanna Get Drafted", which criticized Jimmy Carter's reintroduction of the military draft, Zappa founded Barking Pumpkin. After spending most of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981, his first release on Barking Pumpkin. The label specialized in mail order releases.
The label was initially distributed by CBS Records. In 1984, Barking Pumpkin prepared to release the album Thing-Fish and MCA produced a test pressing. However, MCA later withdrew their distribution after a woman in their quality control department became offended and upset by the album's content. A deal was quickly made with EMI Records, which would allow Them Or Us and Thing-Fish to be distributed by Capitol Records in the United States. Zappa wrote a "warning" which appeared on the inner sleeves of these albums, as well as Frank Zappa Meets the Mothers of Prevention, which stated that the albums contained content "which a truly free society would neither fear nor suppress", and a "guarantee" which stated that the lyrics would not "cause eternal torment in the place where the guy with the horns and pointed stick conducts his business."
Dweezil Zappa released his debut album Havin' a Bad Day on Barking Pumpkin in 1986. After an album on another label, he released Confessions on Barking Pumpkin in 1991, and formed the group Z, with Ahmet Zappa, releasing Shampoohorn on Barking Pumpkin.
Two compilations, Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute and Quaudiophiliac, were released posthumously by Barking Pumpkin in 1996 and 2004, along with the previously unreleased album Everything Is Healing Nicely in 1999.
Read more about this topic: Barking Pumpkin Records
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“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
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—Albert Camus (1913–1960)
“History ... is, indeed, little more than the register of the crimes, follies, and misfortunes of mankind.
But what experience and history teach is this—that peoples and governments have never learned anything from history, or acted on principles deduced from it.”
—Georg Wilhelm Friedrich Hegel (1770–1831)