Early Life and Early Career
She began her classical training in piano at age eight, but by high school had decided to become a jazz pianist. She attended the New England Conservatory of Music for a year, but left it as it conflicted with working for bands. In 1947 Leonard Feather dubbed her "the first girl ever to play bebop piano." In the following year her trio, which had Chuck Wayne on guitar and Clyde Lombardi on bass, worked briefly with Benny Goodman. Later Charlie Byrd replaced Wayne with Joe Shulman replacing Lombardi. After Byrd left she decided to have it be a drums, bass, and piano trio.
In the 1950s she did noteworthy solo work as well as work with her trio. She also began to cross-over doing a jazz-waltz and her trio worked on Me and Juliet by Rodgers and Hammerstein. That stated, the end of the decade saw her career ebb. This occurred because of changing musical tastes and personal concerns.
Read more about this topic: Barbara Carroll
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