Works
One of his most famous poems is "Waltzing Matilda", which was set to music and became one of Australia's most famous songs. Others include "The Man from Snowy River", which inspired a movie in 1982 and inspired a TV series in the 1990s, and "Clancy of the Overflow", the tale of a Queensland drover.
In 1905 he published a collection of bush ballads entitled Old Bush Songs.
Paterson's poems mostly presented a highly romantic view of rural Australia. Paterson himself, like the majority of Australians, was city-based and was a practising lawyer. His work is often compared to the prose of Henry Lawson, a contemporary of Paterson's, including his work "The Drover's Wife", which presented a considerably less romantic view of the harshness of rural existence of the late 19th century.
Paterson authored two novels; An Outback Marriage (1906) and The Shearer's Colt (1936), wrote many short stories; Three Elephant Power and Other Stories (1917), and wrote a book based on his experiences as a war reporter; Happy Dispatches (1934). He also wrote a book for children The Animals Noah Forgot (1933)
Contemporary recordings of many of Paterson's well known poems have been released by Jack Thompson (actor), who played Clancy in The Man from Snowy River (1982 film).
Media reports in August 2008 stated that a previously unknown poem had been found in a war diary written during the Boer War.
Read more about this topic: Banjo Paterson
Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (1709–1784)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)