Further Reading
- Wuorinen, Charles. 1979. Simple Composition, New York, NY: C.F. Peters Corporation. ISBN 0938856065
- Morris, Robert, Review of Charles Wuorinen's Simple Composition. Theory & Practice 1980, 5/1:66-72.
- Hibbard, William, Charles Wuorinen, The Politics of Harmony. Perspectives of New Music Vol. 7, No. 2 (Spring–Summer, 1969), pp. 155–166 (article consists of 16 pages)
- Seelye, Todd, Charles Wuorinen Guitar Variations, Soundboard Magazine, the Journal of the Guitar Foundation of America, Spring 1997, Vol. 23, No. 4
- Karchin, Louis, Pitch Centricity as an Organizing Principle in Speculum Speculi of Charles Wuorinen, Theory and Practice, Volume 14/15, 1989/90.
- Kresky, Jeffrey, The Recent Music of Charles Wuorinen Perspectives of New Music, Vol. 25 Nos. 1&2, Winter 1987/Summer 1987
- Karchin, Louis, Charles Wuorinen's Reliquary for Stravinsky Contemporary Music Review, 2001, Vol 20, Part 4, pp 9–27
- Steinberg, Michael, Choral Masterworks: A Listener's Guide Oxford University Press, February 2008, pp 317–336
Read more about this topic: Ballets By Charles Wuorinen
Famous quotes containing the word reading:
“The logical English train a scholar as they train an engineer. Oxford is Greek factory, as Wilton mills weave carpet, and Sheffield grinds steel. They know the use of a tutor, as they know the use of a horse; and they draw the greatest amount of benefit from both. The reading men are kept by hard walking, hard riding, and measured eating and drinking, at the top of their condition, and two days before the examination, do not work but lounge, ride, or run, to be fresh on the college doomsday.”
—Ralph Waldo Emerson (18031882)
“There is a note in the front of the volume saying that no public reading ... may be given without first getting the authors permission. It ought to be made much more difficult to do than that.”
—Robert Benchley (18891945)