Ballet For A Girl in Buchannon

"Ballet for a Girl in Buchannon" (aka "The Ballet" and "Make Me Smile Medley"), a nearly thirteen-minute song cycle/suite from Chicago's 1970 album Chicago (also called Chicago II), was the group's first attempt at a long-format multi-part work.

It was composed by James Pankow, who got the inspiration to write the "Ballet" from his love of long classical music song cycles. The Buchannon in the title is actually a misspelling of Buckhannon, West Virginia.

"Ballet" takes up three-quarters of side two of Chicago II and consists of seven tracks, three of which are instrumentals:

  1. "Make Me Smile" (lead vocals by Terry Kath)
  2. "So Much to Say, So Much to Give" (lead vocals by Robert Lamm)
  3. "Anxiety's Moment" (instrumental)
  4. "West Virginia Fantasies" (instrumental)
  5. "Colour My World" (vocals by Terry Kath)
  6. "To Be Free" (instrumental)
  7. "Now More Than Ever" (lead vocals by Terry Kath)

The final track, "Now More Than Ever," is a single-verse reprise of the suite's opening song, "Make Me Smile." The vocal songs within the suite can be viewed as telling the story of a man searching for a far away lost love and attempting to rekindle the love they had shared. Two of these songs reached the top ten on the U.S. Billboard Hot 100: a single edit of "Make Me Smile (/Now More Than Ever)" (#9, 1970) and "Colour My World" (#7, 1971).

The suite was recorded as a single track, titled "The Ballet," on their album Chicago XXVI: Live in Concert in 1999. The version on the 2005 DVD Chicago/Earth, Wind & Fire — Live at the Greek Theatre is called "Make Me Smile Medley," named after the suite's opening song.

In some live concerts Chicago ended the first set with the "Ballet." The last long chord of "Now More Than Ever" often elicited a standing ovation from the audience.

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Related articles
  • Discography
  • James William Guercio
  • Phil Ramone
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Famous quotes containing the words ballet and/or girl:

    Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he’ll escape.
    —W.H. (Wystan Hugh)

    The protection of a ten-year-old girl from her father’s advances is a necessary condition of social order, but the protection of the father from temptation is a necessary condition of his continued social adjustment. The protections that are built up in the child against desire for the parent become the essential counterpart to the attitudes in the parent that protect the child.
    Margaret Mead (1901–1978)