Plot
A young 20-year-old named Jody (Tyrese Gibson) lives with his mother Juanita (Adrienne-Joi Johnson), in South Central Los Angeles. He spends most of his time with his unemployed best friend P (Omar Gooding), and does not seem interested in becoming a responsible adult. However, he is forced to mature as a result of an ex-con named Melvin (Ving Rhames), who moves into their home. Another factor is his children - a son with his girlfriend Yvette (Taraji P. Henson) and a daughter with a girl named Peanut, who also lives with her mother.
At the beginning of the movie Yvette has an abortion that Jody forced her to have. Yvette constantly asks Jody if he will ever come live with her and their son, but Jody avoids the subject and comes and goes as he pleases. Jody also continues seeing and having sex with other women, including Peanut. This becomes an issue between him and Yvette as well, especially since Yvette and Peanut do not get along. When she discovers his cheating they get in a heated argument which results to Jody slapping Yvette in the face. After this, Yvette changes the locks on the door. This infuriates Jody and they get into an argument. Their son comes out of his room and runs to the door. Yvette grabs him and cradles him while he yells, "I wanna see my daddy."
Eventually, Yvette's gangster ex-boyfriend Rodney (Snoop Dogg) is released from San Quentin State Prison, and returns to the neighborhood to move in with Yvette, much to her dismay. Rodney doesn't care for Yvette and Jody's son and wants to impregnate Yvette himself. Rodney attempts to rape Yvette in front of her son. She tells him, "So you're really gonna rape me in front of my son". Rodney pauses for a minute then pushes her son out of the way and walks out of the room. Jody Jr. aka JoJo then says, "I want my daddy." Yvette then cradles her son and replies, "I know baby, I do too."
For the next couple of days Yvette lives in fear and disgust of Rodney being there and misses Jody. Rodney, who realizes this, steals the money from her wallet and takes off in her car to go and find Jody. Rodney tries to kill Jody in a drive-by shooting; however, he is unsuccessful with both efforts. After this Yvette kicks Rodney and his friends out of her apartment. While at Sweetpea's house playing cards, Yvette and Sweetpea's girlfriend Kim step outside. Yvette then goes and sits beside Jody. When Jody ignores her she throws the chair back and runs off. Jody goes after her. She then tells Jody about everything she has been going through, even about Rodney trying rape her. Jody then hugs Yvette and says that he's been missing her.
Jody and Sweetpea confront Rodney, and as he attempts to escape, Jody shoots him in the ankle. Sweetpea urges Jody to kill Rodney, but he refuses, at which point Sweetpea kills Rodney himself. Feeling guilty for Rodney's death, Jody prepares to commit suicide by shooting himself in the head, but Melvin catches him and takes the gun. After reflecting on the death of Rodney and how he put Yvette and his son in danger by not being around consistently, Jody finally moves out of his mom's house and in with Yvette. They move into a motel after the killing.
Jody has now become a mature man, realizing that his mom's relationship with Melvin is a stable one and that he has a family of his own that he needs to protect and take care of. Afterwards, Jody and Yvette get married and she becomes pregnant with Jody's third child and her second child with him. Sweetpea decides to turn over a new life and gets baptized, putting his old life as a street thug behind him.
Read more about this topic: Baby Boy (film)
Famous quotes containing the word plot:
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)