Reactor Design and Construction
The reactor was designed and built by E. I. du Pont de Nemours and Company based on experimental designs tested by Enrico Fermi at the University of Chicago, and tests from the X-10 Graphite Reactor at Oak Ridge National Laboratory. It was designed to operate at 250 megawatts.
The reactor occupies a footprint of 46 by 38 ft (14 by 12 m) (about 1,750 sq ft (163 m2) and is 41 ft (12 m) (approximately five stories) tall, occupying a volume of 71,500 cu ft (2,020 m3). The reactor core itself consisted of a 36-foot-tall (11 m) graphite box measuring 28 by 36 ft (8.5 by 11 m) occupying a volume of 36,288 cu ft (1,027.6 m3) and weighing 1,200 short tons (1,100 t). It was penetrated horizontally through its entire length by 2,004 aluminum tubes and vertically by channels for the "vertical safety rods," .
The core is surrounded by a thermal shield of cast iron 8 to 10 inches (20 to 25 cm) thick weighing 1,000 short tons (910 t). Masonite and steel plates enclose the thermal shield on its top and sides, forming a biological shield for radiation protection. The bottom of the thermal shield is supported by a 23-foot-thick (7.0 m) concrete pad topped by cast-iron blocks. The graphite composition was selected to moderate the nuclear reaction fueled by 200 short tons (180 t) of uranium slugs approximately 25 mm (1 in) diameter 70 mm (3 in) long (the approximate size of a roll of quarters), sealed in aluminum cans, and loaded into the aluminum tubes.
The reactor was water-cooled, with cooling water pumped from the Hanford Reach of the Columbia River through the aluminum tubes around the uranium slugs at the rate of 75,000 US gal (280,000 L) per minute. The water was discharged into settling basins, then returned to the river after allowing time for the decay of radioactive materials and the settling out of particulate matter.
Read more about this topic: B Reactor
Famous quotes containing the words design and/or construction:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)
“No real “vital” character in fiction is altogether a conscious construction of the author. On the contrary, it may be a sort of parasitic growth upon the author’s personality, developing by internal necessity as much as by external addition.”
—T.S. (Thomas Stearns)