Forms and Stages of Development
The Avestan language is attested in roughly two forms, known as "Old Avestan" (or "Gathic Avestan") and "Younger Avestan". Younger Avestan did not evolve from Old Avestan; the two differ not only in time, but are also different dialects. Every Avestan text, regardless of whether originally composed in Old or Younger Avestan, underwent several transformations. Karl Hoffmann traced the following stages for Avestan as found in the extant texts. In roughly chronological order:
- The natural language of the composers of the Gathas, the Yasna Haptanghaiti, the four sacred prayers (Y. 27 and 54).
- Changes precipitated by slow chanting
- Changes to Old Avestan due to transmission by native speakers of Younger Avestan
- The natural language of the composers of grammatically correct Younger Avestan texts
- Deliberate changes introduced through "standardization"
- Changes introduced by transfer to regions where Avestan was not spoken
- Adaptions/Translations of portions of texts from other regions
- Composition of ungrammatical late Avestan texts
- Phonetic notation of the Avestan texts in the Sasanian archetype
- Post-Sasanian deterioration of the written transmission due to incorrect pronunciation
- Errors and corruptions introduced during copying
Many phonetic features cannot be ascribed with certainty to a particular stage since there may be more than one possibility. Every phonetic form that can be ascribed to the Sasanian archetype on the basis of critical assessment of the manuscript evidence must have gone through the stages mentioned above so that "Old Avestan" and "Young Avestan" really mean no more than "Old Avestan and Young Avestan of the Sasanian period."
Read more about this topic: Avestan Language
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