Works
In 1918, Avard worked with his brother J. Leo Fairbanks on friezes for the Laie Hawaii Temple. It was during this time that he married Beatrice Maude Fox in Honolulu, Hawaii. She was a native of Salt Lake City whom he had met in Utah and convinced to come join him in Hawaii so they could marry. This would not be Fairbanks' last connection with temples. The statues of the Angel Moroni on the Washington D.C. Temple, the Jordan River Utah Temple, Seattle Washington Temple and the São Paulo Brazil Temple are all Fairbanks' work.
Many of the sculptures on Temple Square in Salt Lake City are by Fairbanks, including the Three Witnesses Monument.
For a time in the 1920s Fairbanks was a member of the faculty of the University of Oregon. It was while here that he made his Oregon Trail sculpture. Fairbanks later became a professor at the University of Utah.
He created a sculpture of the restoration of the Melchizedek priesthood for the Mormon Pavilion at the 1964 New York World's Fair.
Although most of his later work was free-standing sculptures, Fairbanks did return to the frieze when he made some for the Harold B. Lee Library on Brigham Young University campus.
Fairbanks made a statue of Lycurgus that led to his being knighted by King Paul of Greece. He has also done multiple statues of Abraham Lincoln and George Washington.
He created the Pegasus sculpture in the northeast garden at the Meadow Brook Hall in Rochester Hills, Michigan.
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Famous quotes containing the word works:
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way—
The Church can sleep and feed at once.”
—T.S. (Thomas Stearns)