Works
In 1918, Avard worked with his brother J. Leo Fairbanks on friezes for the Laie Hawaii Temple. It was during this time that he married Beatrice Maude Fox in Honolulu, Hawaii. She was a native of Salt Lake City whom he had met in Utah and convinced to come join him in Hawaii so they could marry. This would not be Fairbanks' last connection with temples. The statues of the Angel Moroni on the Washington D.C. Temple, the Jordan River Utah Temple, Seattle Washington Temple and the São Paulo Brazil Temple are all Fairbanks' work.
Many of the sculptures on Temple Square in Salt Lake City are by Fairbanks, including the Three Witnesses Monument.
For a time in the 1920s Fairbanks was a member of the faculty of the University of Oregon. It was while here that he made his Oregon Trail sculpture. Fairbanks later became a professor at the University of Utah.
He created a sculpture of the restoration of the Melchizedek priesthood for the Mormon Pavilion at the 1964 New York World's Fair.
Although most of his later work was free-standing sculptures, Fairbanks did return to the frieze when he made some for the Harold B. Lee Library on Brigham Young University campus.
Fairbanks made a statue of Lycurgus that led to his being knighted by King Paul of Greece. He has also done multiple statues of Abraham Lincoln and George Washington.
He created the Pegasus sculpture in the northeast garden at the Meadow Brook Hall in Rochester Hills, Michigan.
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Famous quotes containing the word works:
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
—Henry David Thoreau (1817–1862)