Autumn Leaves (painting)
Autumn Leaves (1856) is a painting by John Everett Millais exhibited at the Royal Academy in 1856. It was described by the critic John Ruskin as "the first instance of a perfectly painted twilight." Millais's wife Effie wrote that he had intended to create a picture that was "full of beauty and without a subject".
The picture depicts four girls in the twilight collecting and raking together fallen leaves in a garden. They are making a bonfire, but the fire itself is invisible, only smoke emerging from between the leaves. The two girls on the left, modelled on Millias' sisters-in-law Alice and Sophy Gray, are portrayed in middle class clothing of the era; the two on the right are in rougher, working class clothing.
The painting has been seen as one of the earliest influences on the development of the aesthetic movement.
Read more about Autumn Leaves (painting): Interpretations
Famous quotes containing the words autumn and/or leaves:
“As far as I can see, this autumn haze
That spreading in the evening air both ways
Makes the new moon look anything but new
And pours the elm-tree meadow full of blue,
Is all the smoke from one poor house alone....”
—Robert Frost (1874–1963)
“Was seiz’d by the spirit that trails in the lines underfoot,
The rim, the sediment that stands for all the water and all the land
of the globe.
Fascinated, my eyes reverting from the south, dropt, to follow those slender windrows,
Chaff, straw, splinters of wood, weeds, and the sea-gluten,
Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide,”
—Walt Whitman (1819–1892)