In Traditional and Popular Culture
In Bulfinch's Mythology from 1855 by Thomas Bulfinch there is the claim that in Norse mythology:
- The Valkyrior are warlike virgins, mounted upon horses and armed with helmets and spears. /.../ When they ride forth on their errand, their armour sheds a strange flickering light, which flashes up over the northern skies, making what Men call the "aurora borealis", or "Northern Lights".
While a striking notion, there is not a vast body of evidence in the Old Norse literature supporting this assertion. Although auroral activity is common over Scandinavia and Iceland today, it is possible that the Magnetic North Pole was considerably farther away from this region during the centuries before the documentation of Norse mythology, thus explaining the lack of references.
The first Old Norse account of norðrljós is found in the Norwegian chronicle Konungs Skuggsjá from AD 1230. The chronicler has heard about this phenomenon from compatriots returning from Greenland, and he gives three possible explanations: that the ocean was surrounded by vast fires, that the sun flares could reach around the world to its night side, or that glaciers could store energy so that they eventually became fluorescent.
In ancient Roman mythology, Aurora is the goddess of the dawn, renewing herself every morning to fly across the sky, announcing the arrival of the sun. The persona of Aurora the goddess has been incorporated in the writings of Shakespeare, Lord Tennyson, and Thoreau.
Clay Walker's song, "White Palace" references the phenomenon in his lyrics: "Her blue eyes they shine brighter than the Aurora Borealis".
A Flock of Seagulls makes mention of it in their 1982 hit song, I Ran (So Far Away) as follows: “A cloud appears above your head, A beam of light comes shining down on you, Shining down on you. The cloud is moving nearer still, Aurora borealis comes in view”.
Read more about this topic: Aurora (astronomy)
Famous quotes containing the words traditional, popular and/or culture:
“The traditional American husband and father had the responsibilitiesand the privilegesof playing the role of primary provider. Sharing that role is not easy. To yield exclusive access to the role is to surrender some of the potential for fulfilling the hero fantasya fantasy that appeals to us all. The loss is far from trivial.”
—Faye J. Crosby (20th century)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (18721945)