In Traditional and Popular Culture
In Bulfinch's Mythology from 1855 by Thomas Bulfinch there is the claim that in Norse mythology:
- The Valkyrior are warlike virgins, mounted upon horses and armed with helmets and spears. /.../ When they ride forth on their errand, their armour sheds a strange flickering light, which flashes up over the northern skies, making what Men call the "aurora borealis", or "Northern Lights".
While a striking notion, there is not a vast body of evidence in the Old Norse literature supporting this assertion. Although auroral activity is common over Scandinavia and Iceland today, it is possible that the Magnetic North Pole was considerably farther away from this region during the centuries before the documentation of Norse mythology, thus explaining the lack of references.
The first Old Norse account of norðrljós is found in the Norwegian chronicle Konungs Skuggsjá from AD 1230. The chronicler has heard about this phenomenon from compatriots returning from Greenland, and he gives three possible explanations: that the ocean was surrounded by vast fires, that the sun flares could reach around the world to its night side, or that glaciers could store energy so that they eventually became fluorescent.
In ancient Roman mythology, Aurora is the goddess of the dawn, renewing herself every morning to fly across the sky, announcing the arrival of the sun. The persona of Aurora the goddess has been incorporated in the writings of Shakespeare, Lord Tennyson, and Thoreau.
Clay Walker's song, "White Palace" references the phenomenon in his lyrics: "Her blue eyes they shine brighter than the Aurora Borealis".
A Flock of Seagulls makes mention of it in their 1982 hit song, I Ran (So Far Away) as follows: “A cloud appears above your head, A beam of light comes shining down on you, Shining down on you. The cloud is moving nearer still, Aurora borealis comes in view”.
Read more about this topic: Aurora (astronomy)
Famous quotes containing the words popular culture, traditional, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“The traditional American husband and father had the responsibilities—and the privileges—of playing the role of primary provider. Sharing that role is not easy. To yield exclusive access to the role is to surrender some of the potential for fulfilling the hero fantasy—a fantasy that appeals to us all. The loss is far from trivial.”
—Faye J. Crosby (20th century)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)