Augusta Victoria of Schleswig-Holstein - Historical View

Historical View

History has not dealt kindly with Augusta, recording nothing special about her; she was not intellectual, did not play an instrument, and hero-worshipped her husband.

This view of Augusta is, however, one that is substantially based upon the point of view of late twentieth-century, often English-speaking historians, and also is reading her through the lens of twentieth-century political history. She is often compared unfavourably to Empress Elisabeth of Austria and her mother-in-law Victoria, Princess Royal, both of whom are read as symbols of cultural and political progress to the left. Augusta is read as a more conservative figure and, therefore, more negative imagery and narrative is directed towards her. Queen Victoria at least, believed she was "foolish". She was extremely conscientious in carrying out the public relations duty, charitable, and welfare work that was an expected part of Royal duties. She was not as untalented as later commentators made out and had interests in and affinity for the arts. There was a genuine and widespread sense of loss and mourning amongst ordinary Germans when she died and her funeral was marked by much spontaneous public grieving, as well as the more formal rituals of the Prussian State.

Read more about this topic:  Augusta Victoria Of Schleswig-Holstein

Famous quotes containing the words historical and/or view:

    Religion means goal and way, politics implies end and means. The political end is recognizable by the fact that it may be attained—in success—and its attainment is historically recorded. The religious goal remains, even in man’s highest experiences, that which simply provides direction on the mortal way; it never enters into historical consummation.
    Martin Buber (1878–1965)

    Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man’s nature is like a well, to the other like a bucket. The view which regards him like a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical.
    Thomas Ernest Hulme (1883–1917)