Works
In 1851 he had published the Book of Enoch in Ethiopian (German, 1853), and at Kiel he completed the first part of the Ethiopic bible, Octateuchus Aethiopicus (1853–1855). In 1857 appeared his Grammatik der äthiopischen Sprache (2nd ed. by Carl Bezold, 1899); in 1859 the Book of Jubilees; in 1861 and 1871 another part of the Ethiopic bible, Libri Regum; in 1865 his great Lexicon linguæ aethiopicæ; in 1866 his Chrestomathia aethiopica.
Always a theologian at heart, he returned to theology in 1864. His Giessen lectures were published under the titles, Ursprung der alttestamentlichen Religion (1865) and Die Propheten des alten Bundes nach ihrer politischen Wirksamkeit (1868). In 1869 appeared his Commentar zum Hiob (4th ed. 1891) which stamped him as one of the foremost Old Testament exegetes.
His renown as a theologian was mainly founded on the series of commentaries, based on those of August Wilhelm Knobel's Genesis (Leipzig, 1875); Exodus und Leviticus, 1880; Numeri, Deuteronomium und Josua, with a dissertation on the origin of the Hexateuch, 1886; Jesaja, 1890. In 1877 he published the Ascension of Isaiah in Ethiopian and Latin. He. was also a contributor to Daniel Schenkel's Bibellexikon, Brockhaus's Conversationslexikon, and Johann Jakob Herzog's Realencyklopädie. His lectures on Old Testament theology, Vorlesungen über Theologie des Allen Testamentes, were published by Kittel in 1895.
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Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)