Career
Their first album Playing with a Different Sex is considered a post-punk classic with strong, sarcastic songs like "It's Obvious" and "We're So Cool" taking a dry look at gender relations. Other songs, such as "Armagh" with its refrain, "we don't torture" took a pro-republican look at the then ongoing Troubles in Northern Ireland, which caused some controversy at the time. The band performed in 1980 for the concert film Urgh! A Music War.
The band's second album, Sense and Sensuality (1982), showed an even greater influence of jazz, soul, funk and disco on the band's sound, but was less well received.
Following the departure of Jane Munro in 1983, she was replaced by Nick O'Connor (who also played piano / synthesizers in the group). At this time the group were further augmented by Jayne Morris (percussion and backing vocals) and Graeme Hamilton (trumpet). The band broke up in 1983, just before they were about to go into the studio to record an album with producer Steve Lillywhite.
Woods formed an all woman band called the Darlings in the late 1980s, but then left the music industry. She now works as a lawyer in London. Guitarist Paul Foad remains an active musician, playing with Andy Hamilton and the Blue Notes, a Jamaican jazz band, and teaching guitar in and around Birmingham. He has also published a guitar technique book, co-written with Stuart Ritchie, titled The Caged Guitarist (2000). Bass player Jane Munro works as an alternative therapist (aromatherapy, reflexology and Indian head massage) in Birmingham. Pete Hammond also remains an active musician and teaches percussion in Birmingham.
Read more about this topic: Au Pairs (band)
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)