Plot
The disembodied Ghaur baits Silver Surfer into restoring his physical form by hijacking Surfer's surfboard. After a brief battle, Ghaur escapes and flees to Earth, where he convinces Lemuria's ruler, Llyra, to form an alliance to summon Set back to Earth.
Ghaur's plan for the serpent god's return is a fivefold plot:
1. Build a brand new, giant-sized Serpent Crown, via gathering a large amounts of mystic artifacts and melting them down into building material for the new Serpent Crown.
2. Forge an alliance with Attuma, ruler of Atlantis, and convince him to declare war on the surface world as a means to render Atlantis defenseless (due to Attuma devoting all of the city's military resources towards a surface world invasion), so that Ghaur and Llyra's forces could launch a massive military assault on Atlantis, slaughtering thousands of innocent civilians as a sacrificial offering to Set.
3. Transform the human population into mute serpent men; using a serpent formula conceived by the terrorist Viper, with the deposed underground tyrant Tyrannus injecting recovering drug addicts with the chemical.
4. Kidnap seven super-powered heroines for the purpose of becoming brides for Set, ultimately for the purpose of becoming pregnant with the seven-headed serpent god's children.
5. Use the super-heroine Dagger (one of the women selected as a bride for Set) and a special magical magnifying glass to magnify the potency of a portion of Set's life-force into a viable amount of life energy, to give life the giant Serpent Crown, allowing Set's exiled essence to possess the now mindless seven-headed serpent body and return to Earth.
However, their plans are countered at just about every turn by Earth's heroes, culminating with the Avengers, Fantastic Four, and Namor the Sub-Mariner (who is believed dead for the bulk of the storyline during a skirmish with Iron Man and Attuma's military forces) defeating Ghaur and Llyra and stopping them from bringing Set to Earth.
Read more about this topic: Atlantis Attacks
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
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—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)