Arts Administrators
Arts administrators work for arts and cultural organizations such as theatres, symphonies, "...art galleries, museums, arts festivals, arts centers, arts councils, regional arts boards, dance companies, community arts organizations, disability arts organizations, and local authorities."
An arts administrator in a small organization may do marketing, event booking, and handle financial issues. An arts administrator for a larger arts organization may be responsible for buildings and facilities, creative staff (e.g., performers/artists), other administrative staff, public relations, marketing, and writing reports.
A senior level-arts administrator may advise the Board of Directors or other senior managers on "strategic planning and management decisions. An effective arts administrator must also be knowledgeable in local, state and federal public policy as it relates to human resources, health insurance, labor laws and volunteer risk management."
There are several notable professionals in the field. Philippe de Montebello was curator of New York City's Metropolitan Museum of Art from 1977-2008. On his retirement, he was both the longest-serving director in the institution's history and the longest-serving director of any major art museum in the world. Michael Maddox co-founded the Bolshoi Theatre in Moscow, home to Bolshoi Ballet and Bolshoi Opera, which are amongst the oldest and grandest ballet and opera companies in the world. Another notable figure in arts administration is John Lane of John Lane's Ogunquit Playhouse in Ogunquit, Maine. Lane acquired the playhouse in 1950 and successfully ran the organization, still considered to be "America's foremost summer theatre," until his retirement in 1994.
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Famous quotes containing the word arts:
“Women hock their jewels and their husbands insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (18961970)