Artist's Proof - Treated Differently From Main Edition

Treated Differently From Main Edition

Art historians, curators, and collectors view working proofs as especially desirable because of their rarity, the insight they may give into the progress of the work, and because they may well have belonged to the artist. Especially in the case of dead artists, they can be the only evidence of the artist's incremental development of an image, something not usually available with drawings, paintings, or sculpture.

Collectors also usually prefer final artist's proofs even when they are identical to the main edition; if nothing else the print may have been presented to a friend by the artist. Prints are generally sold as limited editions, with a print being cheaper than a drawing or painting because the artist/gallery makes more money by selling multiples. An artist's proof has special value because of its extra rarity and its possible differences from the "standard" print, factors that are often reflected in its price.

Read more about this topic:  Artist's Proof

Famous quotes containing the words treated, differently, main and/or edition:

    Not anyone can be a cuckold. If you are a cuckold, ergo your wife will be beautiful, ergo you will be well treated by her; ergo you will have plenty of friends; ergo you will be saved.
    François Rabelais (1494–1553)

    A man sees only what concerns him.... How much more, then, it requires different intentions of the eye and of the mind to attend to different departments of knowledge! How differently the poet and the naturalist look at objects!
    Henry David Thoreau (1817–1862)

    But oh, not the hills of Habersham,
    And oh, not the valleys of Hall
    Avail: I am fain for to water the plain.
    Downward, the voices of Duty call—
    Downward, to toil and be mixed with the main,
    The dry fields burn, and the mills are to turn,
    And a myriad flowers mortally yearn,
    And the lordly main from beyond the plain
    Calls o’er the hills of Habersham,
    Calls through the valleys of Hall.
    Sidney Lanier (1842–1881)

    I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)