Artistic Revolution of Style
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But not all artistic revolutions were political. Revolutions of style have also abruptly changed the art of a culture. For example, when the careful, even tedious, art techniques of French neo-classicism became oppressive to artists living in more exuberant times, a stylistic revolution known as "Impressionism" vitalized brush strokes and color. Edgar Degas, Claude Monet, Pierre-Auguste Renoir burst onto the French culture, effecting a revolution with a style that has become commonplace today.
An artistic revolution can be begun by a single artist, but unless that artist gains some understanding, he becomes an iconoclast. The first Abstract Expressionists were considered madmen to give up their brushes and rely on the sheer force of energy to leave an image, but then the import of atomic bombs, all atomic energy, became realized, and art found no better way of expressing its power. Jackson Pollock is the artist best known for starting that revolution.
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Famous quotes containing the words artistic, revolution and/or style:
“The perfect detective story cannot be written. The type of mind which can evolve the perfect problem is not the type of mind that can produce the artistic job of writing.”
—Raymond Chandler (1888–1959)
“A revolution is not the overturning of a cart, a reshuffling in the cards of state. It is a process, a swelling, a new growth in the race. If it is real, not simply a trauma, it is another ring in the tree of history, layer upon layer of invisible tissue composing the evidence of a circle.”
—Kate Millett (b. 1934)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)