Artistic Patrimony Of Madrid Community
After the death of Charles II of Austria in the year 1700 took the throne of Spain, Philip V of Bourbon, nephew of Louis XIV of France, beginning the House of Bourbon reigns of a long journey that reaches to the present day.
The need to restructure the government and the economic resources of the Crown lead to the first Bourbons to make significant changes in all areas of the monarchy over the eighteenth century. One solution proposed centralizing policies and a growing reform plan that would affect almost every area of society (church, infrastructure, administration and territory, army, …), with quite uneven results and lower than anticipated.
Madrid as cutting the monarchy was no exception and began to count among their farmhouse with new public buildings, institutions, barracks and scientific institutions. In the old administrative machinery of the Austrias, which was concentrated in units of the Alcázar joined buildings of the Royal House Post Office, the Royal House of Postas, the Royal Customs — now the Ministry of Finance, the Deposit Hydrographic-building today annexed to the Ministry of Education, the Royal Academy of Fine Arts of San Fernando and, among others, the Royal Academy of History. In turn, the Crown sought to boost the economy by creating actual factories: Royal House of Glass and others such as the Royal Factory Deck and Spirits, then tobacco, and the Royal Porcelain Factory.
Along with the Crown other social sectors as the nobility began to build large and sumptuous palaces: the Marquis of Miraflores and Perales, the Earl of Tepa and the Duke of Ugena — current headquarters of the Chamber of Commerce and Industry. And is that the construction of the new Royal Palace (1738–1764) not only served as a testing ground for the architectural and artistic currents from Italy and France, but also, was the main point of reference for the new mansions of the aristocracy.
The first pre-capitalist bourgeoisie madrileña also wanted to reflect their growing economic power with the construction of the notorious Casa de los Cinco Gremios Mayores.
Read more about Artistic Patrimony Of Madrid Community: Royal Palace of Madrid, Royal Palace of El Pardo, Atocha Railway Station, Parks and Gardens, Madrid's Districts (barrios)
Famous quotes containing the words artistic, patrimony and/or community:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Grant me the treasure of sublime poverty: permit the distinctive sign of our order to be that it does not possess anything of its own beneath the sun, for the glory of your name, and that it have no other patrimony than begging.”
—St. Francis Of Assisi (c. 1182–1226)
“What I wanted was to create thoughtful citizens—people who believed they could live interesting lives and be productive and socially useful. So I tried to create a community of children and adults where the adults shared and respected the children’s lives.”
—Deborah Meier (b. 1931)