Dance Theatre of Harlem
After the assassination of Dr. Martin Luther King, Jr. in 1968, Mitchell returned to Harlem, where he was determined to provide opportunities in dance for the children in that community. A year later, he and his teacher Karel Shook formed a classical ballet school. Mitchell had $25,000 of his own money to start the school. About a year later he received $315,000 in a matching funds grant from the Ford Foundation. Dance Theatre of Harlem (DTH) was born in 1969 with 30 kids in a church basement in a community where resources of talent and creative energy were virtually untapped. Two months later, Mitchell had attracted 400 youngsters attending classes. Two years later they presented their first productions as a professional company. Mitchell used his personal savings to convert a garage into the company's first real home.
In Harlem, DTH created an explosion of professional opportunity in dance, music, and other related theater activities. The school has an outstanding number of former students who have been successfully engaged in careers as dancers and musicians, as technicians in production, stagecraft, and wardrobe, and in instruction and arts administration. With this success, DTH challenged the classical dance world to review its stereotypes and revise its boundaries.
Read more about this topic: Arthur Mitchell (dancer)
Famous quotes containing the words dance, theatre and/or harlem:
“They dance with reluctance, they are growing civilized; the old men
persuade them.”
—Robinson Jeffers (18871962)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didnt learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (19001993)
“It doesnt do good to open doors for someone who doesnt have the price to get in. If he has the price, he may not need the laws. There is no law saying the Negro has to live in Harlem or Watts.”
—Ronald Reagan (b. 1911)