Career At New York City Ballet
In 1955 Mitchell made his debut as the first African American with the New York City Ballet (NYCB), performing in Western Symphony. Rising to the position of principal dancer with the company in 1956, he performed in all the major ballets in its repertoire, including A Midsummer Night's Dream, The Nutcracker, Bugaku, Agonn, and Arcade. Mitchell was the only African-American dancer with the NY City Ballet until 1970. Choreographer and director of the NYCB George Balanchine created the pas de deux in Agon especially for Mitchell and the white ballerina Diana Adams. Although Mitchell danced this role with white partners throughout the world, he could not perform it on commercial television in the United States before 1965, because states in the South refused to carry it.
Mitchell left the New York City Ballet in 1966 to appear in several Broadway shows, and helped found ballet companies in Spoleto, Washington, D.C. and Brazil, where he directed a dance company. The Company he founded in Brazil was the National Ballet Company of Brazil.
Read more about this topic: Arthur Mitchell (dancer)
Famous quotes containing the words career, york, city and/or ballet:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“In Vietnam, some of us lost control of our lives. I want my life back. I almost feel like I’ve been missing in action for twenty-two years.”
—Wanda Sparks, U.S. nurse. As quoted in the New York Times Magazine, p. 72 (November 7, 1993)
“Notice how he has numbered the blue veins
in my breast. Moreover there are ten freckles.
Now he goes left. Now he goes right.
He is building a city, a city of flesh.
He’s an industrialist.”
—Anne Sexton (1928–1974)
“Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he’ll escape.”
—W.H. (Wystan Hugh)