Career At New York City Ballet
In 1955 Mitchell made his debut as the first African American with the New York City Ballet (NYCB), performing in Western Symphony. Rising to the position of principal dancer with the company in 1956, he performed in all the major ballets in its repertoire, including A Midsummer Night's Dream, The Nutcracker, Bugaku, Agonn, and Arcade. Mitchell was the only African-American dancer with the NY City Ballet until 1970. Choreographer and director of the NYCB George Balanchine created the pas de deux in Agon especially for Mitchell and the white ballerina Diana Adams. Although Mitchell danced this role with white partners throughout the world, he could not perform it on commercial television in the United States before 1965, because states in the South refused to carry it.
Mitchell left the New York City Ballet in 1966 to appear in several Broadway shows, and helped found ballet companies in Spoleto, Washington, D.C. and Brazil, where he directed a dance company. The Company he founded in Brazil was the National Ballet Company of Brazil.
Read more about this topic: Arthur Mitchell (dancer)
Famous quotes containing the words career, york, city and/or ballet:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“If New York is the Big Apple, tonight Hollywood is the Big Nipple.”
—Bernardo Bertolucci (b. 1940)
“The city is loveliest when the sweet death racket begins. Her own life lived in defiance of nature, her electricity, her frigidaires, her soundproof walls, the glint of lacquered nails, the plumes that wave across the corrugated sky. Here in the coffin depths grow the everlasting flowers sent by telegraph.”
—Henry Miller (1891–1980)
“Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he’ll escape.”
—W.H. (Wystan Hugh)