Early Life
Spiegelman was born in Stockholm, Sweden, to Polish Jews Vladek Spiegelman (1906–1982) and Anja Spiegelman (née Zylberberg) (1912–1968). Spiegelman grew up in Rego Park in Queens, New York City, New York and graduated from the High School of Art and Design in Manhattan. Spiegelman attended Harpur College, now Binghamton University. He did not graduate but received an honorary doctorate from there 30 years later. At Harpur, Spiegelman audited classes by the avant-garde filmmaker Ken Jacobs and became friends with him. Spiegelman has acknowledged Jacobs as one of the artists who inspired him, though he claims Harvey Kurtzman, the creator of Mad as his true spiritual father.
He had one brother named Richieu who died before Art was born. Richieu was caught in the conflicts of World War II and was sent to live with an aunt, Tosha, since the Zawiercie ghetto where she resided seemed safer than the Sosnowiec ghetto. When the Germans started to deport people from the Zawiercie ghetto, Tosha poisoned herself, Richieu, her own daughter (Bibi) and her niece (Lonia). (Maus, Volume 2) Art mentions in Maus that he felt like he had a sibling rivalry with a photograph, since his parents were still upset over the death of their first-born son.(Maus II, page 15) The second volume of Maus was dedicated to Richieu and to Spiegelman's daughter Nadja Rachel (born 1987). He also has a son named Dashiell Alan (born 1991).
In the late winter of 1968, he suffered a brief but intense nervous breakdown, an event occasionally referred to in his work. After his release from a mental hospital, his mother, Anja, committed suicide.
Read more about this topic: Art Spiegelman
Famous quotes containing the words early and/or life:
“It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.”
—Gerald Early (20th century)
“Beyond the horizon, or even the knowledge, of the cities along the coast, a great, creative impulse is at work—the only thing, after all, that gives this continent meaning and a guarantee of the future. Every Australian ought to climb up here, once in a way, and glimpse the various, manifold life of which he is a part.”
—Vance Palmer (1885–1959)