Art Song Formal Design
The composer's musical language and interpretation of the text often dictate the formal design of an art song. If all of the poem's verses are sung to the same music, the song is strophic. Arrangements of folk songs are often strophic, and "there are exceptional cases in which the musical repetition provides dramatic irony for the changing text, or where an almost hypnotic monotony is desired." Several of the songs in Schubert's Die schöne Müllerin are good examples of this. If the vocal melody remains the same but the accompaniment changes under it for each verse, the piece is called a "modified strophic" song.
In contrast, songs in which "each section of the text receives fresh music" are called through-composed. Some through-composed works have some repetition of musical material in them.
Many art songs use some version of the ABA form (also known as "song form"), with a beginning musical section, a contrasting middle section, and a return to the first section's music.
Read more about this topic: Art Song
Famous quotes containing the words art, song, formal and/or design:
“Ill-weaved ambition, how much art thou shrunk!
When that this body did contain a spirit,
A kingdom for it was too small a bound,
But now two paces of the vilest earth
Is room enough.”
—William Shakespeare (1564–1616)
“Stay me with flagons, comfort me with apples: for I am sick of love.”
—Bible: Hebrew The Song of Solomon 2:5.
“I will not let him stir
Till I have used the approvèd means I have,
With wholesome syrups, drugs, and holy prayers,
To make of him a formal man again.”
—William Shakespeare (1564–1616)
“We find that Good and Evil happen alike to all Men on this Side of the Grave; and as the principle Design of Tragedy is to raise Commiseration and Terror in the Minds of the Audience, we shall defeat this great End, if we always make Virtue and Innocence happy and successful.”
—Joseph Addison (1672–1719)