Art In Northern Ireland
The early history of Irish art is generally considered to begin with early carvings found at sites such as Newgrange and is traced through Bronze Age artefacts, particularly ornamental gold objects, and the religious carvings and illuminated manuscripts of the medieval period. During the course of the 19th and 20th centuries, a strong indigenous tradition of painting emerged, including such figures as John Butler Yeats, William Orpen and Jack Yeats.
Ireland's best known living artists include Brian O'Doherty an art historian, sculptor, and conceptual artist who is based in New York City, Sean Scully an abstract painter who lives and works in New York, Dorothy Cross, a sculptor and filmmaker and James Coleman, an installation and video artist.
Interest in collecting Irish art has expanded rapidly with the economic expansion of the country, primarily focussing on investment in early twentieth century painters. Support for young Irish artists is still relatively minor compared to their European counterparts, as the Arts Council's focus has been on improving infrastructure and professionalism in venues. That said, Ireland's unique tax break for creative artists (writers, visual artists and composers) has encouraged a wide community of artists to remain in Ireland.
Read more about Art In Northern Ireland: Towards An Irish Art
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“... in Northern Ireland, if you don’t have basic Christianity, rather than merely religion, all you get out of the experience of living is bitterness.”
—Bernadette Devlin (b. 1947)
“All art is a revolt against man’s fate.”
—André Malraux (1901–1976)
“That we can come here today and in the presence of thousands and tens of thousands of the survivors of the gallant army of Northern Virginia and their descendants, establish such an enduring monument by their hospitable welcome and acclaim, is conclusive proof of the uniting of the sections, and a universal confession that all that was done was well done, that the battle had to be fought, that the sections had to be tried, but that in the end, the result has inured to the common benefit of all.”
—William Howard Taft (1857–1930)
“No people can more exactly interpret the inmost meaning of the present situation in Ireland than the American Negro. The scheme is simple. You knock a man down and then have him arrested for assault. You kill a man and then hang the corpse.”
—W.E.B. (William Edward Burghardt)