The Head, was a puppet stone bust who humorously recaps the steps needed to produce the last art piece made. After doing this, he would usually show his creation of the previous art attack, most times however getting it hilariously wrong and usually bursting into tears. However on one occasion, by accidentally doing part of the instructions incorrectly, he creates a similar effect than desired and is proud of his work. He can sometimes tell jokes after the Big Art Attacks.
Originally, 'The Head' was based on Paul Stevenson's face. Paul was short listed down from one million applicants to become the official Head of Art Arttack made of grey stone and appeared in an art gallery, alongside either the museum security guard (who'd be confused by him being alive) or various visitors to the gallery. More recently though, he appears to be made of wet clay and is shown on a table in a fairly messy room.
In series one, 'The Head' was played by Jim Sweeney, in series 2, Andrew O'Connor; and from series 3, having been redesigned as a puppet, he was voiced and operated by Francis Wright. 'The Head' did not appear in series 12 or 13 and from series 17 to 19.
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Famous quotes containing the words the head and/or head:
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art—the precise evocation of mood in the novel, or of summer twilight in a painting—is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.”
—Yi-Fu Tuan (b. 1930)