Armand Assante - Career

Career

During the 1970s, Assante was a regular on two NBC soap operas, How to Survive a Marriage as Johnny McGee and The Doctors as Dr. Mike Powers. His first film was The Lords of Flatbush (1974), although the title credits misspelled his last name as Assanti. A role that brought him greater attention came in 1980's Private Benjamin as a handsome Frenchman who becomes the love interest of a U.S. soldier played by Goldie Hawn.

Assante's somewhat sinister look has made him a popular choice for tough-guy heroes, as in his starring role as private eye Mike Hammer in the film I, the Jury (1982) or as Mafia gangsters like that of Michael Moretti in Sidney Sheldon's Rage of Angels. He portrayed the notorious Bugsy Siegel in a comedy, Neil Simon's The Marrying Man (1991), another mobster in Hoffa (1992) starring Jack Nicholson, and crime kingpin John Gotti in the 1996 made-for-television biopic Gotti, for which he won his Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.

Other notable film appearances include one as a Cuban bandleader in The Mambo Kings opposite Antonio Banderas and in the adaptation of the science-fiction story Judge Dredd with Sylvester Stallone, his co-star in two previous films. More recently he appeared in American Gangster (2007) with Denzel Washington and Russell Crowe. He has had a recurring guest star role in several episodes of NCIS, playing the international arms dealer René Benoit. Outside of the U.S., he has participated in several film projects in European countries like F.Y.R.O. Macedonia, Turkey, Serbia, Romania and Bulgaria.

Read more about this topic:  Armand Assante

Famous quotes containing the word career:

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)