Music Career and Critical Reception
The "Alice's Restaurant" song was one of a few very long songs to become popular just when albums began replacing hit singles as young people's main music listening. But in 1972 Guthrie had a highly successful single too, Steve Goodman's song "City of New Orleans", a wistful paean to long-distance passenger rail travel. Guthrie's first trip on that train was in December 2005 (when his family joined other musicians on a train trip across the country to raise money for musicians financially devastated by Hurricane Katrina and Hurricane Rita, in the South of the United States). He also had a minor hit with his song "Coming into Los Angeles," which was played at the 1969 Woodstock Festival, and success with a live version of "The Motorcycle Song."
Guthrie's 1976 album Amigo received a 5-star (highest rating) from Rolling Stone, and may be his best-received work. However, that album, like Guthrie's earlier Warner Bros. Records albums, is rarely heard today even though each contains strong folk and folk rock music accompanied by widely regarded musicians such as Ry Cooder.
A number of musicians from a variety of genres have joined Guthrie onstage, including Pete Seeger, David Bromberg, Cyril Neville, Emmylou Harris, Willie Nelson, Judy Collins, John Prine, Wesley Gray, Josh Ritter, and others.
Read more about this topic: Arlo Guthrie
Famous quotes containing the words music, career, critical and/or reception:
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (1879–1955)
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)