Architecture of The United States

The architecture of the United States demonstrates a broad variety of architectural styles and built forms over the country's history of over four centuries of independence and former British rule.

Architecture in the United States is as diverse as its multicultural society and has been shaped by many internal and external factors and regional distinctions. As a whole it represents a rich eclectic and innovative tradition.

Read more about Architecture Of The United States:  Pre-Columbian, Colonial, Architecture For A New Nation, Frontier Vernacular, Early Suburbs (1890-1930), Revivalism in The 20th Century, Roadside Architecture, Post-War Suburbs

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    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)

    In the United States there’s a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.
    Umberto Eco (b. 1932)

    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)

    I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
    Roy Lichtenstein (b. 1923)

    Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.
    Marc Fumaroli (b. 1932)

    Today’s difference between Russia and the United States is that in Russia everybody takes everybody else for a spy, and in the United States everybody takes everybody else for a criminal.
    Friedrich Dürrenmatt (1921–1990)