Architecture of Lahore

The Architecture of Lahore reflects the history of Lahore and is remarkable for its variety and uniqueness. There are buildings left from the centuries ago rule of the Mughal Dynasty, the Sikh Empire, as well as from the era of the British Raj, whose style is a mixture of Victorian and Islamic architecture often referred to as Indo-Gothic. In addition, there are newer buildings which are very modern in their design. An interesting point about Lahore's architecture is that unlike the emphasis on functional architecture in the west, much of Lahore's architecture has always been about making a statement as much as anything else. Lahore art has always been popular worldwide and thus it lures tourists from all over the world.

The old city houses a number of Lahore architecture, which have a strong influence of the Mughal style. Department of archaeology has excavated many architectural remains of the buildings that were built during the rule of Rama of Ayodhya. Thus it can be said that though most of the buildings of Lahore carry Muslim heritage, there are a few structures, which have the influence of other religions such as Sikhism, Hinduism, Jainism and Zoroastrianism.

However, Lahore architecture also includes the thirteen gates, through which one can enter the city from various directions. Some of the gates are known as Raushnai Gate, Masti Gate, Yakki Gate, Kashmiri Gate, Khizri Gate, Shah Burj Gate, Akbari Gate and Lahori Gate. Some of the other significant buildings of Lahore built during the Mughal rule are Jahangir’s Quadrangle, Maktab Khana, Khilwat Khana, Picture Wall, Kala Burj and Hathi Paer.

Lahore architecture consists of a few mosques as well. An atypical style of all the major buildings was that they were surrounded by beautiful gardens.

Read more about Architecture Of Lahore:  Walled City, Mughal Architecture, Sikh Architecture, British Architecture, Modern Architecture

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    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
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