Apple Hill Center For Chamber Music - Apple Hill String Quartet and Director Lenny Matczynski

Apple Hill String Quartet and Director Lenny Matczynski

Leonard Matczynski Artistic & Executive Director

With a career in the performing arts spanning 30 years, Leonard Matczynski has worked as a concert violist, teacher, and arts administrator. As the director of Apple Hill, he makes decisions that shape Apple Hill’s performance and administrative structure, its concert and touring programs, the Playing for Peace™ initiative, its long-range plans, and the development of new programs. He is the spokesman for Apple Hill’s mission and its representative to the music community, patrons, and audiences. As a concert violist, he studied with Martha Strongin Katz, Heidi Castleman, and Karen Tuttle, participated in chamber music studies with members of the Budapest, Cleveland, and Guarneri Quartets, and pursued advanced studies at the International Musician's Seminar in Prussia Cove, England with Sandor Vegh. He has been on the faculty of The Walnut Hill School for the Arts, New England Conservatory of Music, and the Tanglewood Music Center, and is currently on the viola and chamber music faculty of The Boston Conservatory.

The Apple Hill String Quartet has earned accolades from around the world for their interpretive mastery of such traditional repertoire as Haydn, Mozart, Schubert, Schumann, Beethoven, and Ravel — along with their special dedication to seldom heard masterworks and contemporary music. They have performed concerts extensively throughout the United States, Europe, the Middle East, and Asia as part of Apple Hill’s innovative Playing for Peace™ program. Education is an integral part of the quartet’s mission — therefore they have conducted mini-residencies in embassies, communities, schools and universities locally in the Monadnock region, nationally in the major U.S. cities, and throughout the world in such faraway places as Lebanon, Syria, Jordan, Israel, Palestine, Algiers, Cyprus, Ireland, England, Burma, Vietnam, Malaysia, Azerbaijan, Armenia, Georgia, and Russia. They also spend countless hours as dedicated teacher-performers at Apple Hill’s renowned Summer Chamber Music Workshop, held each summer on the 100-acre Apple Hill campus. As 21st-century musicians, the quartet is deeply committed to the commissioning of new works. Their recent commission by composer and long-time “Apple Hiller” Daniel Sedgwick was premiered at Apple Hill in 2009 and performed to critical acclaim throughout the U.S., Europe, and the Middle East. Their project, “Around the World with Playing for Peace™", features the rich multicultural repertoire of works and compositions associated with countries visited through the Playing for Peace™ program, as seen through the lens of the string quartet. Featured composers have included Victor Ullman (String Quartet #3, written in the Theresienstadt Concentration Camp), Turkish composer Ekrem Zeki Ün, Armenian composers Alan Hovhaness and A. Zohrabian, Syrian composer Kareem Roustom, and American composers Roger Sessions, John Harbison, Tom Oboe Lee, Larry Siegel, and Charles Ives. The quartet is composed of Elise Kuder and Sarah Kim, violins, Michael Kelley, viola, and Rupert Thompson, violoncello.

Read more about this topic:  Apple Hill Center For Chamber Music

Famous quotes containing the words apple, hill, string and/or director:

    No people require maxims so much as the American. The reason is obvious: the country is so vast, the people always going somewhere, from Oregon apple valley to boreal New England, that we do not know whether to be temperate orchards or sterile climate.
    Edward Dahlberg (1900–1977)

    I remember the scenes of battle in which we stood together. I remember especially that broad and deep grave at the foot of the Resaca hill where we left those gallant comrades who fell in that desperate charge. I remember, through it all, the gallantry, devotion and steadfastness, the high-set patriotism you always exhibited.
    Benjamin Harrison (1833–1901)

    Supposing everyone lived at one time what would they say. They would observe that stringing string beans is universal.
    Gertrude Stein (1874–1946)

    When General Motors has to go to the bathroom ten times a day, the whole country’s ready to let go. You heard of that market crash in ‘29? I predicted that.... I was nursing a director of General Motors. Kidney ailment, they said; nerves, I said. Then I asked myself, “What’s General Motors got to be nervous about?” “Overproduction,” I says. “Collapse.”
    John Michael Hayes (b. 1919)