Antonio Gramsci - Gramsci's Influence in Popular Culture

Gramsci's Influence in Popular Culture

Music:

  • Gramsci Melodic – American (Pittsburgh) synthpop band
  • Scritti Politti – British alternative band
  • Billy Bragg – English folk musician

Theatre:

  • Occupations – Gramsci is a central character in Trevor Griffiths's 1970 play about workers taking over car factories in Turin in 1920.

Television: Emily Thomas

  • Spaced – Series 1 Episode 5 features a dog named Gramsci, named by his owner after "an Italian Marxist" to help in his campaign against the ruling class by hunting down the rich. One character claimed that the dog could smell wealth from twenty feet away.

Cities

  • Genoa A major road going through the lower portion of Genoa, along the coast, is named after Antonio Gramsci.

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Famous quotes containing the words gramsci, influence, popular and/or culture:

    “I would like you to understand completely, also emotionally, that I’m a political detainee and will be a political prisoner, that I have nothing now or in the future to be ashamed of in this situation. That, at bottom, I myself have in a certain sense asked for this detention and this sentence, because I’ve always refused to change my opinion, for which I would be willing to give my life and not just remain in prison. That therefore I can only be tranquil and content with myself.”
    —Antonio Gramsci (1891–1937)

    “We can trace almost all the disasters of English history to the influence of Wales.”
    —Evelyn Waugh (1903–1966)

    “That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
    —Ralph Waldo Emerson (1803–1882)

    “Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
    —Malcolm McLaren (b. 1946)