Works
| Title | Libretto | Première date | Place, theatre | Notes |
|---|---|---|---|---|
| Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
| Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
| Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
| L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
| La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
| Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
| La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
| Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
| Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
| Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
| La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
| La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
| Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
| Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
Famous quotes containing the word works:
“The appetite of workers works for them; their hunger urges them on.”
—Bible: Hebrew, Proverbs 16:26.
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (1817–1862)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)