Antonio Cesti - Works

Works

Title Libretto Première date Place, theatre Notes
Alessandro vincitor di se stesso Francesco Sbarra 1651 Venice, Teatro Santi Giovanni e Paolo
Il Cesare amante Dario Varotari 1651 Venice, Teatro Grimano
Cleopatra Dario Varotari 1654 Innsbruck revised version of Il Cesare amante
L'Argia Giovanni Filippo Apolloni 1655 Innsbruck
Marte placata Giovanni Filippo Apolloni 1655 Innsbruck
Orontea Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni 19 February 1656 Innsbruck
La Dori Giovanni Filippo Apolloni 1657 Innsbruck
Venere cacciatrice Francesco Sbarra 1659 Innsbruck lost
La magnanimità d’Alessandro Francesco Sbarra 1662 Innsbruck
Il Tito Nicolò Beregan 13 February 1666 Venice, Teatro Grimano
Nettuno e Flora festeggianti Francesco Sbarra 12 July 1666 Vienna
Le disgrazie d'Amore Francesco Sbarra 19 February 1667 Vienna
La Semirami Giovanni Andrea Moniglia 9 July 1667 Vienna revised 1674 in Modena as La schiava fortunata
La Germania esultante Francesco Sbarra 1667 Vienna
Il pomo d'oro Francesco Sbarra 12–14 July 1668 Vienna
Genserico Nicolò Beregan 1669 Venice

|Intorno All'Idol Mio||||1654||||

Read more about this topic:  Antonio Cesti

Famous quotes containing the word works:

    There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.
    Ralph Waldo Emerson (1803–1882)

    Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.
    Jean Genet (1910–1986)

    ...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?
    Sarah N. Cleghorn (1876–1959)