Relationship With Vincent Van Gogh
Mauve was married to van Gogh's cousin Ariëtte (Jet) Sophia Jeannette Carbentus, and he was a major influence on van Gogh, who revered him. He is mentioned, directly or indirectly, in 152 of van Gogh's surviving letters. A comparative table of number of letters mentioning his most significant influences is shown below.
| Artist | Letters |
|---|---|
| Millet | 170 |
| Mauve | 152 |
| Rembrandt | 100 |
| Delacroix | 93 |
Van Gogh spent three weeks at Mauve's studio at the end of 1881 and during that time he made his first experiments in painting under Mauve's tutelage, first in oils and then early the next year in watercolour (previously he had concentrated on drawing). Mauve continued to encourage him and lent him money to rent and furnish a studio, but later grew cold towards him and did not return a number of letters.
In a letter to his brother Theo van Gogh dated 7 May 1882, van Gogh describes "a very regrettable conversation" in which Mauve told him their association was "over and done with" adding by way of explanation that van Gogh had a vicious character. Van Gogh continued his letter by expressing his sorrow, and then launches defiantly into a passionate defence of his relationship with Clasina (Sien) Maria Hoornik, a pregnant prostitute he had befriended.
- "People suspect me of something... it’s in the air... I must be hiding something... Vincent is keeping something back that may not be divulged.. Well, gentlemen, I’ll tell you – you who set great store by manners and culture, and rightly so, provided it’s the real thing – what is more cultured, more sensitive, more manly: to forsake a woman or to take on a forsaken one?"
The reality was that they were lovers. The presumption must be that Mauve had heard of the relationship (although van Gogh's letter does not say so expressly) and broke off the association because of it. However, their relationship had already become strained by late January. Nevertheless, van Gogh continued to hold Mauve in very high esteem and dedicated one of his most iconic paintings to Mauve's memory after hearing of his sudden death.
- "Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees. And the one I brought home today would possibly appeal to you — it’s a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine. You may well see it, since I’ve decided to send this one to Jet Mauve. I’ve written on it 'Souvenir de Mauve Vincent & Theo'."
Mauve's mother Elisabeth Margaretha Hirschig was a first cousin twice removed of Anton Hirschig, the young Dutch artist who was a fellow lodger with van Gogh at the Auberge Ravoux at the time of van Gogh's death.
Read more about this topic: Anton Mauve
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“It is not the language of painters but the language of nature which one should listen to.... The feeling for the things themselves, for reality, is more important than the feeling for pictures.”
—Vincent Van Gogh (1853–1890)