Plot
Antoine and Colette catches up with Antoine Doinel as a solitary 17-year-old who works at Phillips manufacturing LPs to support himself. He lives in furnished room by himself in Place Clichy, listening to opera and classical music and spending time with René (Patrick Auffay), his school friend from The 400 Blows.
One day, while attending a Berlioz Music Programme with René, he spots Colette, a secondary school student, and falls in love for the first time.
Colette is his own age, but unlike Antoine has a warm, supportive family with whom she still lives. Antoine forms a strong friendship with Colette and, eventually, also her parents who begin to treat him as if he were a part of their family.
Colette's feelings for Antoine are at first ambiguous and, harbouring some hope that she might grow to return them, he leaves his apartment at the Place Clichy and moves into an apartment across the road from her family's. Although she continues to treat him kindly, it slowly becomes apparent that she is not interested in him romantically. He sulks about this and at first refuses to see her, but he is lured back by a dinner invitation. It is clear that her family still consider him a surrogate son and are possibly hoping for something romantic to happen between the two teenagers.
All of these hopes are dashed, however, when the pretty Colette is met at the front door by an older man. Her parents and Antoine look helplessly on as she disappears off with her date. They are all left to watch television.
Doinel's adventures follow with Stolen Kisses, Bed and Board and Love on the Run.
Read more about this topic: Antoine And Colette
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“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
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—John Dryden (1631–1700)