The Child's Placement in The Garment
Many external viewers think that the child is carried in the hood of the amauti, and this erroneous depiction can be seen in many works of art. This is not the case. The hood is enlarged in an amauti to permit both child and mother to be covered together, while the child is actually carried in the enlarged and extended back of the garment. The child rides with his or her belly against the mother's back and with knees bent. The garment is secured at the waist with a tie or belt which prevents the child from slipping down from the pouch. The weight of the child is carried across the shoulders of the garment although this weight is typically re-distributed by two more ties which form a "v" from the collar bone, with the base secured by the tie at the waist. A final tie attaches to the front edge of the hood, permitting the mother to either open the hood for a curious child to emerge and take in the surroundings, or to pull the hood across closing the child away from the wind and elements.
Read more about this topic: Anorak
Famous quotes containing the words child and/or garment:
“None speak of the bravery, the might, or the intellect of Jesus; but the devil is always imagined as a being of acute intellect, political cunning, and the fiercest courage. These universal and instinctive tendencies of the human mind reveal much.”
—Lydia M. Child (1802–1880)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)