20th Century Problems of Attribution
The idea of a named and recognised painter originated among art historians early in the 20th century, who were attributing works they recognised to known painters. They later went back on some of these attributions, renaming as anonymous the painters they had formerly named. One example is the case of Pier Francesco Fiorentino, to whom Bernard Berenson attributed a number of works which were later re-attributed to Pseudo Pier Francesco Fiorentino, a Florence copyist. Some painters have even been described as anonymous (even many times like Barthélemy Eyck) before later being recognised. They thus held several names historically (those who are noted on the page devoted to them), although doubts continue surrounding some, such as Giovanni Gaddi (after 1333 - 1383) maybe the Master of the Misericordia dell’Accademia.
Read more about this topic: Anonymous Artists
Famous quotes containing the words century, problems and/or attribution:
“To get wealth and security by guile
Is like one who pours water into a pot of unbaked clay.”
—Tiruvalluvar (c. 5th century A.D.)
“The Settlement ... is an experimental effort to aid in the solution of the social and industrial problems which are engendered by the modern conditions of life in a great city. It insists that these problems are not confined to any one portion of the city. It is an attempt to relieve, at the same time, the overaccumulation at one end of society and the destitution at the other ...”
—Jane Addams (1860–1935)
“The intension of a proposition comprises whatever the proposition entails: and it includes nothing else.... The connotation or intension of a function comprises all that attribution of this predicate to anything entails as also predicable to that thing.”
—Clarence Lewis (1883–1964)