20th Century Problems of Attribution
The idea of a named and recognised painter originated among art historians early in the 20th century, who were attributing works they recognised to known painters. They later went back on some of these attributions, renaming as anonymous the painters they had formerly named. One example is the case of Pier Francesco Fiorentino, to whom Bernard Berenson attributed a number of works which were later re-attributed to Pseudo Pier Francesco Fiorentino, a Florence copyist. Some painters have even been described as anonymous (even many times like Barthélemy Eyck) before later being recognised. They thus held several names historically (those who are noted on the page devoted to them), although doubts continue surrounding some, such as Giovanni Gaddi (after 1333 - 1383) maybe the Master of the Misericordia dell’Accademia.
Read more about this topic: Anonymous Artists
Famous quotes containing the words century, problems and/or attribution:
“In the nineteenth century ... explanations of who and what women were focused primarily on reproductive events—marriage, children, the empty nest, menopause. You could explain what was happening in a woman’s life, it was believed, if you knew where she was in this reproductive cycle.”
—Grace Baruch (20th century)
“If when a businessman speaks of minority employment, or air pollution, or poverty, he speaks in the language of a certified public accountant analyzing a corporate balance sheet, who is to know that he understands the human problems behind the statistical ones? If the businessman would stop talking like a computer printout or a page from the corporate annual report, other people would stop thinking he had a cash register for a heart. It is as simple as that—but that isn’t simple.”
—Louis B. Lundborg (1906–1981)
“The intension of a proposition comprises whatever the proposition entails: and it includes nothing else.... The connotation or intension of a function comprises all that attribution of this predicate to anything entails as also predicable to that thing.”
—Clarence Lewis (1883–1964)