Career
In 1952, Ross met Prestige Records owner Bob Weinstock, who asked her to write lyrics to a jazz solo, in a similar way to King Pleasure, a practice which would later be known as vocalese. The next day, she presented him with "Twisted", a treatment of saxophonist Wardell Gray's 1949 composition of the same name, a classic example of the genre. The song, first released on the 1952 album King Pleasure Sings/Annie Ross Sings, was an underground hit, and resulted in her winning Down Beat's New Star award. Her first solo album, Singin' and Swingin' (1952), was recorded in New York with members of the Modern Jazz Quartet. Other albums include Annie By Candlelight (1956), Sings A Song With Mulligan (1958) with baritone saxophonist Gerry Mulligan and Chet Baker on trumpet, A Gasser! (1959) with Zoot Sims, In Hoagland (1981) with Georgie Fame and Hoagy Carmichael, and Music Is Forever (1995) featuring Tommy Flanagan on piano.
In February 1956, the British music magazine NME reported that Ross's song "I Want You to be My Baby" was banned by the BBC, due to the lyric "Come upstairs and have some loving".
She recorded seven albums with Lambert, Hendricks & Ross between 1957 and 1962. Their first, Sing a Song of Basie (1957), was to have been performed by a group of singers hired by Jon Hendricks and Dave Lambert with Ross brought in only as vocal consultant. It was decided that the trio should attempt to record the material and overdub all the additional vocals themselves, but the first two tracks were recorded and deemed unsatisfactory so they ditched the dubbing idea. The resulting album was a success, and the trio became an international hit. Over the next five years, Lambert, Hendricks & Ross toured all over the world and recorded such albums as Lambert, Hendricks, & Ross! (aka The Hottest New Group In Jazz, 1959), Sing Ellington (1960), High Flying (1962), and The Real Ambassadors (1962), written by Dave Brubeck and featuring Louis Armstrong and Carmen McRae.
Ross left the group in 1962 and, in 1964, opened her own nightclub in London. Annie's Room featured performances by Joe Williams, Stuff Smith, Blossom Dearie, Anita O'Day, Jon Hendricks, Erroll Garner, and Ross herself. A compilation album of Ross's 1965 performances from Annie's Room was released on CD in 2006.
Some notable film roles that she played as an adult include Vera Webster in Superman III (1983), Mrs. Hazeltine in Throw Momma from the Train (1987), Loretta Cresswood in Pump Up the Volume (1990), Lydia in Blue Sky (1994), and most notably as Tess Trainer in Robert Altman's Short Cuts (1993).
She provided the speaking voice for Britt Ekland in The Wicker Man (1973). On stage, Ross appeared in Cranks (1955) in both London and New York, The Threepenny Opera (1972) with Vanessa Redgrave, The Seven Deadly Sins at the Royal Opera House, Kennedy's Children (1975) at Arts Theatre, London, Side By Side By Sondheim, and in the Joe Papp production of The Pirates of Penzance (1982) with Tim Curry.
In the early 1990s, Ross starred in the horror films Basket Case 2 and Basket Case 3: The Progeny.
She performs regularly at the Metropolitan Room (34 W. 22nd Street) in New York, with Tardo Hammer on piano, Neal Miner on bass, James Wormworth on drums, and Warren Vache on trumpet.
Read more about this topic: Annie Ross
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