Theatre
- 1971 : Small Mahagonny, Bertolt Brecht
- 1971 : The Parisian life, Jacques Offenbach
- 1972 : Seven deadly sins, Bertolt Brecht and Kurt Weill
- 1972 : Gave Mobil, Claude Prey
- 1973 : Rock bottom, Marc’ O
- 1973 : The Four binoculars, Copi
- 1974 : Ubu with the opera, Alfred Jarry
- 1975 : A.A. theaters of Adamov, Roger Planchon
- 1975 : Middle-class Madnesses, Roger Planchon
- 1975 : The Man occis, Claude Prey
- 1975 : Nights of Paris
- 1976 : The French Grandmother, by Eugene Ionesco'
- 1977 : Jacques or the tender and the future in the eggs, by Eugene Ionesco'
- 1977 : Domestic industry, F.K. Kroetz, Jacques Lassalle
- 1978 : Remagen, Anna Seghers, by Jacques Lassalle
- 1978 : Kabaret, Jean Mailland
- 1984 : The Beautiful Helene, Jacques Offenbach
- 1984 : The human Voice, Jean Cocteau and Francis Poulenc
- 1986 : Ghetto, Josual Sobol
- 1987 : Connected, Eugene O’ Neill
- 1988 : Awakes Philadelphia, François Billetdoux
- 1990 : The Opera of quat’ under, Bertolt Brecht and Kurt Weill
- 1991 : The Room, Wilhelm de Tove Ditlevsen
- 1992 : Mr Brecht, according to Bertolt Brecht
- 1993 : The human Voice, Jean Cocteau and Francis Poulenc
- 1994 : The following days which sing false, Josual Sobol
- 1996 : Gernika 1937, a lyric review, of Jean Mailland'
- 1999 : The Circus of Giuseppe, Jean-Louis Bauer and Piotr Moss
- 2000 : Song of the swan and other stories, Anton Tchekhov'
- 2002 : The Foreigner of the city, Bernard Martin
- 2003 : Red Evil and gold, Jean Cocteau
- 2004 : Anna Prucnal and Jean Cocteau
- 2005 : The Vagina Monologues, by Eve Ensler
Read more about this topic: Anna Prucnal
Famous quotes containing the word theatre:
“The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
—Enid Bagnold (1889–1981)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (1900–1993)