Ankur (film) - Social Issues

Social Issues

Many reviewers suggest that Ankur makes a statement concerning one particular social issue. In reality, it addresses several, including (but not necessarily limited to) those listed below:

  • Alcoholism: Kishtayya used to be a "good potter," Lakshmi tells Surya. However, demand for his clay pots became weak since aluminium vessels were becoming increasingly popular. As he could not sell many pots, he began to drown his sorrows in alcohol. Lakshmi claims that Kishtayya is a "good man" whose "only fault is drinking." Two scenes show Kishtayya returning home after a night of drinking while Lakshmi cooks dinner. In both scenes, a worried Lakshmi scolds her husband, trying to discourage him from drinking. Kishtayya's only response is to go to bed on a hungry stomach. He does not overcome his alcoholism until he abandons Lakshmi.
  • Casteism: The film provides a deeper insight into the ugliness of Indian caste system, particularly visible in the rural areas. The villagers expect Lakshmi to work as Surya's servant. However, being a Dalit, tradition forbids that she cook meals for Surya. Thus, when Surya asks Lakshmi to cook his meals, the villagers (particularly the Hindu greengrocer) begin to disapprove of him. When Saru moves to Surya's house, she refuses to touch "anything that she (Lakshmi) has touched."
  • Rich vs. Poor: The first time Lakshmi is shown scolding Kishtayya, she claims that she is obliged to commit petty theft in order to care for herself and her husband. She initially steals no more than three handfuls a day of rice from Surya. Some time after she is dismissed from her job, she returns to Surya's house to look for work again. Saru offers Lakshmi food instead of work, and Lakshmi attempts to steal a little more rice than usual (as she is pregnant). Saru catches her red-handed as she brings a meal, then forces her to put back the rice, saying, "You people starve because you steal." In the end, Lakshmi refuses "your jobs, your money, anything of yours!" thus suggesting that poverty does not concern her in this context.
  • Parent vs. Child: The relationship between Surya and his father appears to be rather unsteady; neither of them smiles when they are together. Surya tries to spend more time with his friends by asking his father for permission to study for a Bachelor of Arts degree. However, his father (who already knows what Surya is trying to do) refuses him permission and forces him to marry Saru. Little does Surya's father initially know what the consequences of these actions of his will be.
  • Sexual drive: Surya, Lakshmi, and Rajamma have all engaged in adultery. Each has his own reasons. Surya is sexually frustrated, and Rajamma wants a child. Lakshmi's reasons are unclear, for Ankur does not reveal when her affair with Surya began. (See the Unanswered Questions section of this article.)
  • Changing loyalties: Saru is perhaps the only character who does not change her loyalty to something (in her case, tradition). Surya pretends to be loyal to Lakshmi but abandons her once she becomes pregnant. Lakshmi is loyal to her husband until she sleeps with Surya. We do not know whether Kishtayya has remained loyal to his wife in his absence (though it seems improbable considering his general respect for Lakshmi, adultery on his part might explain why he forgives her). Certainly, he has abandoned his loyalty to alcohol but remains supportive of his wife.
  • Religious differences: This less predominant issue characterizes the relationship between two of the minor characters, namely Sheikh Chand and the greengrocer. Their religious differences encourages them to play nonviolent practical jokes on one another. The greengrocer tricks Sheikh Chand into getting Surya's car out of the mud; later, Sheikh Chand reciprocates by stealing a few betel leaves from the greengrocer.
  • Dowry: This issue is a relatively minor one in the film. It is addressed only in one quote, when Lakshmi explains why she married Kishtayya. After Surya asks why Lakshmi chose to marry a "drunken deaf-mute," she answers that no one else would marry her as she could not afford to pay dowry. She then points out that Kishtayya was not yet a drunkard.

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