Anita (film) - Plot

Plot

Neeraj and Anita are in love, which is unacceptable to her father. Anita's father wants her to marry Anil Sharma, a business tycoon. Initially, Anita wants Neeraj to walk out of his life. But later, Neeraj gets a letter from Anita, which raises some suspicions in his mind. He goes to meet her, only to learn that she has committed suicide. Neeraj suspects foul play and decides to find out the truth on his own.

Surprisingly, he sees Anita at the same exact place where she supposedly committed suicide. His friend advises Neeraj to go on a vacation and try forget the incident. During his vacation, at a picnic, Neeraj once again sees Anita as a saffron clad sadhvi(saint), Maya. Neeraj learn that he saw Maya Jogan, who died 20 years ago. But he sees her again in a train coach in which Neeraj is travelling to Mumbai.

Anita sends a letter to Neeraj asking him to meet at a hotel so that she can disclose the truth. To avoid the police, Anita meets Neeraj in his house. Anita then takes Neeraj to the secret building where Anil reveals that he killed Neeraj's lover and threw her into the river and made it look like Anita committed suicide.

Read more about this topic:  Anita (film)

Famous quotes containing the word plot:

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)