Satire
The popularity enjoyed by the Roman de Renart and the Anglo-Norman version of the Riote du Monde (Z. f. rom. Phil. viii. 275-289) in England is proof enough that the French spirit of satire was keenly appreciated. The clergy and the fair sex presented the most attractive target for the shots of the satirists. However, an Englishman raised his voice in favour of the ladies in a poem entitled La Bonté des dames (Meyer, Rom. xv. 315-339), and Nicole Bozon, after having represented "Pride" as a feminine being whom he supposes to be the daughter of Lucifer, and after having fiercely attacked the women of his day in the Char d'Orgueil (Rom. xiii. 516), also composed a Bounté des femmes (P. Meyer, op. cit. 33) in which he covers them with praise, commending their courtesy, their humility, their openness and the care with which they bring up their children. A few pieces of political satire show us French and English exchanging amenities on their mutual shortcomings. The Roman des Français, by André de Coutances, was written on the continent, and cannot be quoted as Anglo-Norman although it was composed before 1204 (cf. Gaston Paris: Trois versions rimées de l'évangile de Nicodème, Soc. Anc. Textes, 1885), it is a very spirited reply to French authors who had attacked the English.
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Famous quotes containing the word satire:
“Ill publish, right or wrong:
Fools are my theme, let satire be my song.”
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