Film and Television
The Merrilee Rush version of the song is featured in the soundtrack of the movie, Girl, Interrupted. The Rush version is also played during a scene in the 1978 film Fingers, where it is used to accentuate the conflicted nature of the main character played by Harvey Keitel. The song was performed live by Chrissie Hynde in a 1995 episode of Friends titled "The One with the Baby on the Bus", and that version also appears in that show's soundtrack album. The song also makes an appearance in the 1996 film Jerry Maguire, with Tom Cruise's titular character singing what appears to be the original version, enthusiastically if badly. More recently, Conan O'Brien has referenced the track, during periodic ironic pledges to cease his show's use of arbitrary & stupid humor in which he presents a gorilla dressed as a nurse who uses an old-fashioned abdominal exerciser while enjoying the song. In "Branch Closing", an episode of The Office, Michael Scott sings "Levinson in the morning" to his supervisor, Jan Levinson.
Juice Newton's version can be heard during Drew Barrymore's first scene in the film Charlie's Angels.
Juice Newton's version can be heard in the film Charlie Wilson's War. Near the start of the film, it is also sung by Emily Blunt.
The Toyota Highlander "Kid Cave" commercial, aired from late 2010, features a young boy who is embarrassed by his parents' singing of the song while he is riding with them in a car.
Read more about this topic: Angel Of The Morning
Famous quotes containing the words film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.”
—Barbara Ehrenreich (b. 1941)