Reception
Although "Angel of Death" did not enter any charts, it received strong praise from critics in reviews for Reign in Blood. Clay Jarvas of Stylus Magazine noted that the song "smokes the asses of any band playing fast and/or heavy today. Lyrically outlining the horrors to come, while musically laying the groundwork for the rest of the record: fast, lean and filthy."
Adrien Begrand of PopMatters remarked that "There's no better song to kick things off than the masterful 'Angel of Death', one of the most monumental songs in metal history, where guitarists Kerry King and Jeff Hanneman deliver their intricate riffs, drummer Dave Lombardo performs some of the most powerful drumming ever recorded, and bassist/vocalist Tom Araya screams and snarls his tale of Nazi war criminal Josef Mengele."
In the documentary Get Thrashed, the song is referred to many times as the best song ever written.
"Angel of Death" is ranked number five on Digital Dream Door's "100 Greatest Metal Songs".
Capitalizing on the publicity generated by the controversy, the band utilized Nazi imagery by adapting a logo to one similar to the eagle atop swastika, during the Seasons in the Abyss period. Hanneman placed SS stickers on his guitar, and wrote "SS-3" a song about Reinhard Heydrich, the second in command in the Schutzstaffel organization.
Read more about this topic: Angel Of Death (song)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)