Andy Engman - Works

Works

Visual Effects:

The Brave Engineer (1950) (effects animator)

Make Mine Music (1946) (effects animator)

How to Be a Sailor (1944) (animator)

The Olympic Champ (1942) (animator) (uncredited)

How to Play Baseball (1942) (animator)

Donald's Gold Mine (1942) (animator)

Donald's Snow Fight (1942) (effects animator) (uncredited)

The Art of Self Defense (1941) (animator)

The Art of Skiing (1941) (animator)

The Reluctant Dragon (1941) (effects animator) (uncredited)

Baggage Buster (1941) (effects animator) (uncredited)

A Gentleman's Gentleman (1941) (animator)

The Little Whirlwind (1941) (effects animator) (uncredited)

Pluto's Playmate (1941) (animator)

Pantry Pirate (1940) (animator)

Goofy's Glider (1940) (animator)

Fantasia (1940) (effects animator) (segment "The Sorcerer's Apprentice") (uncredited)

Put-Put Troubles (1940) (effects animator) (uncredited)

Pinocchio (1940) (effects animator) (uncredited)

Brave Little Tailor (1938) (effects animator) (uncredited)

Snow White and the Seven Dwarfs (1937) (effects animator) (uncredited)

Animation Department:

Bootle Beetle (1947) (animator)

Clown of the Jungle (1947) (animator)

Double Dribble (1946) (animator)

Frank Duck Brings 'em Back Alive (1946) (animator)

Canine Patrol (1945) (animator)

Duck Pimples (1945) (animator)

Californy er Bust (1945) (animator)

African Diary (1945) (animator)

First Aiders (1944) (animator)

Victory Vehicles (1943) (animator)

Saludos Amigos (1942) (animator) (as Andrew Engman)

Donald's Garden (1942) (effects animator)

The New Spirit (1942) (animator) (uncredited)

Der Fuehrer's Face (1942) (animator) (uncredited)

Read more about this topic:  Andy Engman

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    Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.
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