Andrew Fuller - Works

Works

Fuller wrote:

  • The Gospel worthy of all acceptation, or the Obligations of Men fully to credit and cordially to approve whatever God makes known.
  • The Calvinistic and Socinian Systems examined and compared as to their Moral Tendency, 1794, 1796, 1802.
  • The Gospel its own Witness, or the Holy Nature and Divine Harmony of the Christian Religion contrasted with the Immorality and Absurdity of Deism, 1799–1800.
  • An Apology for the late Christian Missions to India.
  • Memoirs of the Rev. Samuel Pearce, A.M., of Birmingham, 1800.
  • Expository Discourses on Genesis, 2 vols. 1806.
  • Expository Discourses on the Apocalypse, 1815.
  • Sermons on Various Subjects, 1814.
  • The Backslider, 1801, 1840, 1847.

Fuller also wrote pamphlets, sermons, and essays. He contributed to Charles Edward de Coetlogon's Theological Miscellany, the Evangelical Magazine, the Missionary Magazine, the Quarterly Magazine, the Protestant Dissenters' Magazine, and the Biblical Magazine. John Ryland, in his Life of Fuller, enumerated 167 articles that Fuller had contributed. Editions of his Complete Works appeared in 1838, 1840, 1845, 1852, and 1853. Joseph Belcher edited an edition in three volumes for the Baptist Publication Society of Philadelphia, and his major publications were issued with a memoir by his son in Bohn's Standard Library, 1852.

Read more about this topic:  Andrew Fuller

Famous quotes containing the word works:

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)