Career
In 1978, he auditioned at Pips, a local comedy club in Sheepshead Bay, Brooklyn, doing comedic impressions, then headlined there the following week as "Andrew Clay." His act at the time included an impression of John Travolta in Grease and Jerry Lewis as The Nutty Professor. Clay graduated to the major Manhattan comedy clubs, including Budd Friedman's The Improv, Catch a Rising Star and Dangerfield's. His move to Los Angeles came in 1980. He was "adopted" there by Mitzi Shore, owner of the famed Comedy Store. His work at the Store led to sitcom appearances on M*A*S*H and Diff'rent Strokes. He later landed roles in movies such as Making the Grade (1984) and Pretty in Pink (1986).
He had a regular role on Crime Story from 1986 – 1988. He eventually turned from acting to pursue a career in stand-up comedy, focusing on the character "Dice" from Making the Grade. His big break came in 1988 when he did a seven-minute set at Dangerfield's during the Rodney Dangerfield special "Nothing Goes Right." It was there that he met his agent Dennis Arfa and later got his first HBO special.
Read more about this topic: Andrew Dice Clay
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)