Andrea Corr - Solo Career

Solo Career

While her siblings were on hiatus to raise their families, Andrea launched a solo career. She released her first album, Ten Feet High, on 25 June 2007. It was produced by Nellee Hooper, who has worked with Gwen Stefani and Madonna; Bono was an executive producer. Her first single, "Shame on You (to Keep My Love from Me)" was an up-tempo pop song about men and women going to war and leaving behind partners they may never see again. It received positive reviews from music critics; IndieLondon described the song as a "slick package" that was "polished, well produced and with a message that's difficult to ignore". Losing Today's David Adair gave the song a strong review, writing that Corr's vocals were "crisp and uplifting". Liverpool's Daily Post gave the song a three-star rating, commenting that it was "deceptively upbeat", which masked its "heavier message about conscription and war".

On 10 April 2009 Andrea announced on Claudia Winkleman's BBC Radio 2 show that she would be releasing a second album of old songs and covers. She spoke of her disappointment and how 'gutted' she had been when her 2007 album Ten Feet High had failed to gain commercial success. She also spoke at length of her experiences while acting in the play Dancing At Lughnasa and how it has given her hope for upcoming projects, including a second solo album of 'old songs':

I loved the play; I saw its original production when I was a teenager so I really worked hard on it and tried to dispel any prejudices that might be there. I'm sensitive about the idea of a singer-turned-actress, it could give across the impression that a celebrity gets bored and goes "hey, what'll I do" and that's really not where I'm coming from, I'm very passionate about this and I have been for a lot of years. It's a totally different experience, this is the real thing. Fortunately everybody (in the play) is incredibly talented (and) really lovely people too and it has been an incredible learning experience for me.
It's not my responsibility to draw (the audience) in, I just have to play the character. The way I would perform songs was always about the lyrics and always about trying to speak to everybody and make them watch and believe what I'm saying and I suppose I'm essentially doing that here but I'm not looking at the audience I'm obviously looking at the other actors.
I'm really happy to do this. I feel rejuvenated by it, I feel excited again. You're very much alive, you're very much in the moment, so I feel I'm really living.
After I released my solo record I felt really disappointed, I believed in the record I made but if you don't have the back-up of your record company investing and marketing it. It's a really tough job and because I wrote the whole thing I really believed in this record, as did Nellee Hooper, I was jaded and disappointed. Last year I decided I'm not doing music until I'm excited again, then this came along and also I did end up making another record which I'll release at some point. It's just being mastered, it's a lovely album; I didn't write this one, this is old songs and I have to sort out my situation- I don't want the same problem as before. I think everybody's enjoyed doing their own thing. Sharon and Caroline are young mothers, they have young children. Our mother and father were really were great parents and they hope to be as good a mother as mine, but Sharon's making her own record and will hopefully release it at some point. But we (the band) never finished, we'll keep it open.'

In late January 2011, her new album was announced for "early summer", and a downloadable MP3 of her cover of John Lennon's Number 9 Dream was made available to subscribers. Lifelines was released on May 30.